Archive for the ‘photos’ Category

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What I Live For

May 10, 2013

Us

To celebrate the publication of her books under her new name, Satya Robyn is curating an online event today in which bloggers share “What I Live For”.

There are lots of things that I could describe in this way – family, friends, books – but given the date my choice was easy. It’s three months exactly until our wedding, so I thought I would post a poem about our upcoming marriage.

 

 

Bride
after Marcel Duchamp and Octavio Paz

Outside the station, you juggle gravity,
so when we step onto the platform
it opens out to rails made of matches
soaked in fresh green paint.

The train sets off as though shot
from a cannon. I hear its cogs and springs,
the clockwork straining to keep up
with our direction of travel; it’s been wound
beyond its litany’s pace and theme.

The centrifugal force of our meeting
rips my rain-mask from me. You
give me a glass skin
in which I cocoon myself
like a caterpillar noctuelle.

Your glass is the only thing strong enough
to withstand my tongue of solid flame.

Within my new epidermis, I slow life;
grow into a dusk-dusty mariée.

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Image: Us. Photo by my Mum. We were all laughing so hard about something or other that she couldn’t quite focus.

‘Bride’ was first published in The Aesthetica Creative Writing Annual 2012.

Previous blogsplashes for Satya’s books are filed under her former name, Fiona Robyn.

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Pistols and Pollinators: Getting Involved

April 5, 2013

Inside the AlbertBetween now and mid-May a group of artists and poets brought together by Accident & Emergence and Katrina Naomi are creating work for an exhibition at the Albert 21-16 May 2013.

I’m lucky to be working with artist Hermione Allsopp. At the moment we are exploring different ways to maximise the Albert’s space. Hermione visited the rooms we’ll be using and took some photos so we can start to think ourselves into the environment. It’s really exciting to be working with an artist who has experience creating installations.

It would be really lovely to see some of you at the exhibition, and even lovelier if you would consider contributing as little as £5 towards the running costs. Accidents and Emergence have set up a wefund page with the aim of breaking even.

Whether or not you donate, you can see the list of project participants on the A&E website and follow developments on the project blog.

Happy Friday, everyone!

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Image: inside the Albert. Hermione Allsopp, phone snap, used with permission

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Serendipity, or, Why There’s No Such Thing as a Waste of Research Time

February 21, 2013

Screen shot 2013-02-21 at 14.21.59

Today my main goal is to complete the marking of the Historical Bibliography essays submitted a week and a half ago, and I am rewarding myself (and keeping my focus) by breaking after every four essays and sorting through some of the extra research photos I took in Oxford a couple of years ago.

What do I mean by “extra” photos? Well, the purpose of the trip was to build up a swatch of handwriting samples from the de la Mare papers to compare with the writing in the annotations in the books at Senate House. I finished this with a couple of days to spare and instead of heading off into the summer sunshine like any normal person might, I took some photos of some of the pocket books in the archive. I didn’t need them for the handwriting sample, but I thought they might come in useful at some point later in my research.

Analysing de la Mare’s handwriting proved to be pretty dismal as far as dating is concerned. There’s a clear shift in the last couple of years of his life, and his teenage writing is very like his mother’s and becomes more distinct when he starts work at the oil company, but that leaves a span of around fifty years in which nothing changes so drastically that I would like to look at an annotation in one of his books and date it with any feeling of confidence beyond “not very old and not young either”.

So, in the end, the trip felt a little bit of a cul-de-sac. I proved a negative: that handwriting analysis was not going to be helpful to me. I learned a little bit more about that sort of analysis, and I got some good practice in the palaeography of de la Mare’s quite distinctive hand. Nothing more.

I assigned sorting through the “extra” photos to be my marking displacement and wake-up task. (It’s really important to refresh yourself regularly while marking, so that no student suffers impact from boredom with the process on the part of the marker).

Fast forward to this morning. And lo! Notes from one of the early notebooks about what he’s reading. The very thing I have on my seek and locate list for the summer, as described by Whistler:

At about this time too he began making exercise books on waste sheets of paper from the Oil Office. The first is in an alphabetical notebook for November 1892. (The Life of Walter de la Mare: Imagination of the Heart. Duckworth, 1993 (2003 imprint), p. 50)

I’ve not got images of them all, and I hope the years I don’t have are waiting for me in the boxes at the Bodleian, but it’s pretty exciting to find some of the very things I am seeking sitting on my own hard drive.

Thank goodness for the Bodley’s policy for researchers to take their own images. And thank goodness I didn’t go off in the sunshine once I’d finished my main research task. What was the focus then turned out to be not so important, while the marginal, the extra activity, could be really very useful indeed.

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Image: flicking through images on my hard drive

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